Holy fuck, are you ready to fall in love with an obscure bit of punkified metal from the bullshit state of New Jersey? This gem was released in 1983 on the great Mutha Records, the concern that brought the world the brilliant Chronic Sick EP The Beast were often associated with the Metal scene due to their contributions to the early Megaforce comp Born to Metalize, and while The Beast's material on that record are decent enough, they are by no means as awesome as the four blazing tracks on this EP. In fact, this isn't too far from what Chronic Sick were laying down. The opening track 'The Beast' is the band's mission statement, it establishes The Beast as a no bullshit crew of leather jacket wrapped Jersey toughs who simply don't give a fuck, but can still lay down the hooks. This becomes more and more evident over the course of the next three songs.
The secret weapons here are the absolutely charm slathered vocals of Scott Ruth. The guy is Danzig without the fanboy horror nerdisms, Rollins without the Manson/Jim Morrison affectations, but still remains Scott Ruth, Long Branch badass wise guy.
Seriously, my words can't do this justice. This is one of those rare records that almost makes you ache this band didn't record more material. The amazing Devil Dick over at The Devil's Music Blog wrote a great and informative piece on The Beast and Mutha Records, I'm going to shut up now, my ramblings shouldn't keep you from this bit of genius any longer. Here's a bit of youthful anger that may have eluded you the first time around in the 1980s. Perhaps you weren't born yet, perhaps you (like me) avoided the bulk of seemingly meat-headed Boston hardcore bands. Anyhoo, Last Rights was the short lived band of Jack 'Choke' Kelly after the ridiculously awesome Negative FX and before the ridiculous Slapshot.
Not as frantic as NFX and nothing about sports as was the case with Slapshot. The sound here is pretty standard Boston, reminding me of DYS. The B-side, 'So Ends Our Night' even tells a typically Boston HC story of hanging out with your asshole buddies and beating someone up.
Interesting factoid: some band called Dinosaur JR. Covered 'Chunks' on their album You're Living All Over Me. Yonkers, New York, a bullshit town known mostly for giving the world Anthrax (the band, not the disease,) Gene Krupa, and the morbid florist himself, Will Rahmer. Not really surprising that such a place would churn out some pretty sick metal in the early '90s. Deathrune spent this fertile time cranking out decent enough demos but never managed to get anything widely released before their demise in 1995.
Gastunk Dead Song Blogspot Youtube
Guitarist Mike Saez would go on to play with Incantation, just like anyone else into Death Metal in the area. Beneath the Cypress Groves is the band's second demo, and it offers up a solid half hour of solid American Death Metal. Not as crushing as the Swedes, not as adept as those rednecks down in Florida, but still packing enough putrid riffage and atmosphere to be a keeper. Iscariot were a gaggle of Heavy Metal hopefuls from Portland, Oregon. A bullshit town known mostly for craft beer and rain.
In 1985 the band cranked out one cassette demo and it's not bad, not bad at all. Traditional Heavy Metal is served here with tinges of classic Doom. Dragons, kings, and demons provide lyrical inspiration and keep the proceedings fairly orthodox in the approach. I have asked a few Portlanders I know if they have any info on Iscariot, what became of them? But, alas, the info is as scarce as the eye teeth of a unicorn. THIS BLOG IS NOT DEAD!!! Okay with that out of the way allow me to introduce you to a band I recently stumbled across who just blew me away with a youthful vigor and unyielding love for real Heavy Metal.
Vice city game download and install torrent. No retro cool, no ironic facial hair, no tattoos, just five baby faced bangers from Daly City calling themselves. These duders are just barely out of high school and already outplaying many of the seasoned Shreddy Roosevelts out there, and doing it on some right crappy gear no less. Kind of sounding like the classic German bands Grave Digger and Helloween, Hell Fire also inject a bit of Bay Area dirt head thrash in their trip. They were cool enough to flow me this cool CDR demo with a the humble caveat that this is a bit outdated and may not be the best representation of the band.
I tend to agree, the drums are a bit 'suspicious' sounding and this piece of plastic can in no way truly convey the sheer joy of playing and charm Hell Fire overflow with in the live setting. Seriously, support these kids, they absolutely deserve it. Hey everyone, I am taking a few days off for no other reason that I am way behind in some other projects. Also I want to address the recent influx of requests to re-up dead links since the great file sharing holocaust. I am still on the fence about what to do about it. I certainly can't re up everything. I was thinking of having every Saturday's post be a re-up of something lost, starting with some of the first posts.
I understand it is a drag to read a paragraph that entices you so, only to find the link dead. I also want to thank all the people who subscribe, comment and contribute. Oh, and seriously, I appreciate and try to take the time to listen to all the stuff people send me, but it gets overwhelming at times and I sometimes miss stuff.
I don't want to discourage people from sending things my way but I also want it clear that sending me something does not guarantee it will be posted. Also, if you DO send something you are implying that you do want it posted, if you do not, please say so.
All contributions sent by publicists or with a generic form email will be rejected and ridiculed. I think it's about time for another obscure compilation of spotty Heavy metal. Metallic Storm first dropped in 1982 courtesy of Ebony Records out of the UK. As far as I can tell, Ebony's sole output was a myriad of slapdash samplers of lesser known NWOBHM and Hard Rock, usually peppered with a few hidden gems, Metallic Storm, however, packs a lot of rough diamonds, and an early appearance by a young band from Denmark calling themselves Mercyful Fate.
Following the King and his plucky pack of Danes comes the Econo-Judas Priest via Sunset Strip coke pablum from Tantrum, no thanks. Scimitar deliver an awesome charmer of a NWOBHM style tune called 'That's The Way I Want It To Be.' The unappealingly named Tarot Sutra contribute a clumsy 70's rocker that brings to mind images of wood -paneled dens, dirt weed and high school talent contests. Mean Machine are a hot mess of AC/DC-esque biker drool. I fucking love them. Confessor (not that one) are up next with an oddball keyboard and flange-slathered number that kind of comes off like W.A.S.P. Meets The Stranglers.
Jury show up in a glittery coke chariot of AOR schmaltz, but still not terrible. Wells Fargo (the band, not the bank) are pretty bad all around, but still better than Tantrum, they sound kind of drunk, I dig 'em. Mercinary are the blandest of the bunch, no real magic. Wykkyd Vikker are as corny as their name would indicate. Pentapus kind of sound like the younger brothers of those dirtbags in Mean Machine with their very NWOBHMish bath tub amphetamine scooter bitch rock. Detroit border on some cummy booger sugar mean street meandering with a confusing number called 'USA Light,' but even this one is pretty enjoyable, sleazy, poorly recorded.
What's not to like. Moby Dick aren't nearly as heavy or dicky as their name might indicate, but their peppy AOR inspired pop metal is pretty infectious. All in all, Metallic Storm is a ridiculously fun listen, with every band (with the exception of Tantrum) offering something of value in their material. Also it almost seems that every band (with the exception of Mercyful Fate) are drunk. Metallic Storm may be a great album to get absolutely blotto blackout with. I fucking love this record.
I think you will too. It's about sharing hard to find and special recordings. It's not about taking anything away from the artists themselves. Of course if something is in print and you like it, buy it. If you have legitimate claim to something posted here and want it removed, just write me and I'll do so. It's definitely not about furthering any sort of political agenda, you might find some things here that you don't agree with. The views of the bands are their own and don't necessarily reflect my ideology or political views.
Of course comments and suggestions are welcomed, but don't be hurt if they aren't responded to or taken. I will do my absolute best to be accomidating. Want to contact me?
DOWNLOAD - ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ Artist. GASTUNK Album. Dead Song Release year. 1985 Music style. Hardcore, Heavy metal, Audio file/bitrate.
Gastunk Dead Song Rar
MP3 192 kbit/s Type of archive.rar AND.zip Origin. Japan Song's language. Japanese Artist's website. List of songs:1.黙示録(Mokujiroku) 2.Night Sight Light 3.Warbird 4.Taiji (Sad) 5.Computer Crime 6.Fastest Dream 7.Inter Loper 8.The Eye 9.Dead Song.
A scene-setting preposition, usually just one word will do. Classically, this has taken the form of “When”. 2. The first free-form part of The Song, this should further develop a sense of place, time, urgency, activity or any other useful stage on-which Diarrhea could plausibly occur. The only true requirement for this element is that it rhyme with element #4, below.
3. Insert the mandatory conjunction AND.
There are very few hard rules in creation of The Diarrhea Song, the use of and in the middle is a tradition, and as such, an exception to the rule. Please use it. 4. The second free-form part of The Song, this is the punch line. It is here that it will be revealed how one knows that it is, in fact Diarrhea, and not something else. In other words, describe the result of the Diarrhea (i.e. “You feel something burst”).
Keep in mind that this should rhyme with element #2. 5. Add the famous ending that truly identifies your work as part of the long legacy of The Diarrhea Song: 'Diarrhea, Diarrhea'. If you are a traditionalist, you may prefer the more automata-poetic, 'Diarrhea, Plop, Plop, Diarrhea'.
Both variations are correct, according to the linguistics department. TIP: When finished, read through it several times, recite it in your head and consider alterate wording if the meter of the verse or affect of the joke are not top caliber. There is a certain cadence that cannot be taught and is reflected in only the finest variations of The Diarrhea Song. If you have Diarrhea Song versions, additions, inventions or variations to contribute please send them to us for immediate inclusion at:. For those of you who are more frequent contributors, please let us know that you are interested in becoming a contributor to the site directly and we will add you as an administrator to The Diarrhea Song author group.
As an author, you will be asked to post directly to the site and keep an on-going journal of Diarrhea Song lyrics that will be permanently archived on this site for posterity.
1.Devil2.Sex3.Fastest dreamsongs one and two are in one trackI was turned onto these guys by my good buddy Louis who turned me onto almost all things 1980's Japanese. I hated a lot of it at the time, but this one hit home due to its heavy metal brilliance. Most all my hc/punk peers disliked this one claiming it was to metal. Catchy and anthematic.
Side B is def weird, really no idea what they were thinking but I like it just the same. Most people will hate it (unless you like Loudness mixed with free jazz). Gastunk featured ex members from Lip Cream, The Comes, Execute, etc.The only problem I have with this record is that side B's 'fastest dream' is so long that it kinda fucks up the sound of the song by the very end the quality gets worse its over 7 mins.
I found this one in the water logged back room of Worlds Records in Albany NY. Took it up to the counter with its $2.99 price sticker on the sleeve hoping that Buzz (the dude behind the counter) wasn't going to charge me some inflated price like they sometimes did. He put down his acoustic guitar and charged me $2.99.
I left a very happy camper.
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